Glaucoma is somewhere between irony and digital activism. In this project, works of art history, from Giotto to the present day, are subjected to a process of targeted erasure, not aimed at covering the intimate parts of the subjects, but their exact opposite.

As in his previous projects, in GLAUCOMA the artist uses the iconographic repertoire offered by art history to address contemporary issues. The works, strong in their communicative charge, continually reiterate their absolute topicality, creating endless reflections between the present condition and that historical censorship they constantly undergo. 

The contemporary body is a mystified, hybrid and fragmented entity.

A constantly photographed and filtered body, which reiterates the troubled relationship society still experiences with the naked body.