All art history studentsabsolutely must read
It explains well how the white cube was born
Take your time, it is a book that requires some attention
Italian
-
"Inside the white cube" is a collection of essays by Brian O'Doherty first published in 1976 in Art forum magazine. Their impact on the art world was immediate and sparked a critical discussion of the role of the gallery in the art system that endures to this day, becoming a key reference for anyone confronted with this world. In this volume, O'Doherty addresses, first and foremost, a moment of particular crisis in post-World War II art and examines the assumptions underlying the development of the exhibition space, whether private (gallery) or museum. In an analysis that grapples with the complex and delicate relationships between economics, social context and aesthetics condensed within an art gallery, O'Doherty poses the question of how artists should conceive of their work in relation to the exhibition space and, more generally, the art system.
Brian O'Doherty
Each work is carefully packaged by the artist, according to Onstream Gallery's standardized packaging specifications. The work is then entrusted to a specialized courier. Delivery times will be agreed upon between the customer and the courier, and the work will be delivered to the address given when the order is placed.
With Onstream Gallery, delivery is assured from start to finish. Should the work arrive damaged, the customer should immediately send an email with attached photos of the damage to hello@onstreamgallery.com
With Onstream Gallery you have a 14-day return period, beginning the day you receive the work. To arrange the return of the work, send an email to hello@onstreamgallery.com. Returns will be made only upon return of the painting in its original packaging.
Onstream Gallery will pay the return costs and handle any compensation between the artist and the buyer. If the work cannot be repaired or restored, the customer will be refunded immediately.
Here are some tips for taking the best care of your new artwork! From the moment you receive the artwork, we recommend that you do not leave it too long in its original packaging otherwise it may get damaged. Also, it is best NOT to display the artwork in a spot that is too exposed to sunlight or in a place in the house that is very humid - such as the bathroom and kitchen.
Each work is carefully packaged by the artist, according to Onstream Gallery's standardised packaging specifications. The work is then entrusted to a specialist courier. Delivery times will be agreed between the customer and the courier, and the work will be delivered to the address given at the time of the order.
With Onstream Gallery, delivery is assured from start to finish. If the work arrives damaged, the customer should immediately send an email with photos of the damage to hello@onstreamgallery.com.
With Onstream Gallery you have a 14-day withdrawal period, starting from the day you receive the work. To arrange the return of the work, please send an email to hello@onstreamgallery.com. A refund will only be made once the painting has been returned in its original packaging.
Onstream Gallery will pay the return costs and handle any compensation between the artist and the buyer. If the work cannot be repaired or restored, the customer will be refunded immediately.
All art history studentsabsolutely must read
It explains well how the white cube was born
Take your time, it is a book that requires some attention
Italian
-
"Inside the white cube" is a collection of essays by Brian O'Doherty first published in 1976 in Art forum magazine. Their impact on the art world was immediate and sparked a critical discussion of the role of the gallery in the art system that endures to this day, becoming a key reference for anyone confronted with this world. In this volume, O'Doherty addresses, first and foremost, a moment of particular crisis in post-World War II art and examines the assumptions underlying the development of the exhibition space, whether private (gallery) or museum. In an analysis that grapples with the complex and delicate relationships between economics, social context and aesthetics condensed within an art gallery, O'Doherty poses the question of how artists should conceive of their work in relation to the exhibition space and, more generally, the art system.
Brian O'Doherty